Winter Storm: How the Painting Emerged

Winter storm.jpeg

The good traveler has no fixed plans and is not intent on arriving. Lao Tzu

As with all of my paintings, I had no fixed plans when I began Winter Storm. I lay down the first few layers in pinks and reds, browns, oranges and yellows, making marks with brushes, my hands, tools from around the house.

I let go into the play of color and movement.

The canvas sat for a few weeks with those layers pulsing their energy. Then winter descended and all I wanted to do was see what snow looked like on the canvas. How could I “express” the feel of snow, cold and a winter storm? How could I make YOU the viewer feel winter?

That’s when I began to drip white, make marks in white and finger paint in white, gold and the super light hues of gray blue.

Winter felt abstract – hard to see through the snow. It felt barren and yet full of beauty in subtle ways. As I layered the whites, light golds and gray blues, I began to see hints of bushes, trees and ponds within the landscape of white.

So I followed the winter path laid out before me and Winter Storm emerged. Here’s the first in the series.

Often I find, I need to drop into faith – and remember that things WILL work out, but perhaps not how I had imagined. This is the lesson I receive from painting again and again!